WRIR's Spring Fund Drive kicks in March 2…I can give you the usual spiel about how much your designer cup of mud could run the station for a year straight, but you know that. Whether you can hop on board at one of the membership levels or have some spare change in that jar on the nightstand, it doesn't matter. WRIR is all volunteer run and we count on listener support to keep the mighty ship flying. Support like yours, whether it's $10 or $100. No matter the size of your donation, WRIR will put it to fine use to keep bringing you the quality programs you expect, and deserve: from locally produced news and talk, in-studio performances from local and national acts, and of course the stellar music programs curated by volunteers who go above and beyond everyday. If you've dug Sunrise Ocean Bender, once or maybe twice, or any of the other programs on WRIR, I urge you to show your support no matter the amount.
Recent Posts
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Bearings
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- Brainwashed
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- Drug Music Webcast: Sounds and Visions of Tomorrow Today
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- Space Rock Mountain
- stonerrock.com
- Strange Matter
- Sunrise Ocean Bender podcasts
- Terrascope Online
- The Airtight Garage
- The Camel
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- The Slice {UMaine; WMEB}
- The Trouser Press
- Trip Inside This House
- Trip Inside This House on KDHX 88.1
- Turn Me On, Dead Man
- WRIR 97.3 LP: Radio for the Rest of Us
The six original pieces contained on the album (whose titles are lovingly
misappropriated from those of short stories by the late, great science fiction author James Tiptree Jr
AKA Alice B. Sheldon,) are based alternately around nylon-string classical guitar and grand piano, with
spare and subtle vibraphone and B3 organ parts overdubbed by Blackshaw himself. Geneviève Beaulieu
(Menace Ruine/Preterite) adds her stunning and powerful voice and words to track ‘And I Have Come Upon
This Place By Lost Ways’. ‘Love Is The Plan’ is an incredibly warm and intimate recording and perhaps
Blackshaw’s most concise, consistent and overtly melodic to date.
The two major focal points in the creation of composer Duane Pitre’s Feel Free, his new work for a unique sextet combination, were rhythm and melody. An open yet orderly system intended to produce potentially infinite variations of self-generating rhythm and melody was carefully created for this piece, allowing the sextet musicians to approach these factors in a freer manner. This ‘musical system,’ combined with the fixed elements of the composition, in turn, spawned a rich foundation of harmony & rhythm that sounds and feels exotic and new.

